Heather Mitchell Interview
Heather
Mitchell was
born in Montreal, Canada. She started her career in Paris as a sports agent and continued for 15 years before the allure of
books brought her skills as an agent to New York and to Gelfman Schneider in 2006. Heather represents a number of best selling
authors, but she is particularly interested in narrative non-fiction, historical fiction and young debut authors with strong
voices.
HOW TO PUBLISH A BOOK: I see from your bio that you began your career in Paris
as a sports agent. What was that experience like? Who did you represent? How did sports agenting help prepare you for being
a literary agent?
Heather
Mitchell: I began working in Paris for the Executive
Director of the Association
of Tennis Professionals (ATP) in 1979, just when the sport was becoming "Big Business". From there, I went to work
for a sports agency, Proserv, as the media and marketing representative for the Men's Tour.
Finally, I was recruited by the largest and most successful international
agency, International Management Group (IMG) as the first female agent of male tennis players. I represented a load of young
Swedish pros - some who went on to be ranked in the top 10 in the world. Finally, I joined a small "boutique" agency,
that represented a select number of very successful athletes and I worked almost exclusively with Boris Becker.
HOW TO PUBLISH A BOOK: Tell us about how you made the decision to
leave sports agenting and transition to being a literary agent. What motivated the change?
Heather Mitchell: I loved those years working in tennis. I travelled the world many times over in grand luxury while
working 24/7. The tennis circuit is a little like a travelling circus; all the business is done on tournament site –
and there is no "off-season," and the players, their agents, coaches, families travel week to week, tournament to
tournament with journalists and tennis officials. I loved every minute of it, but I did not want to spend my whole life and
career on the road and at a certain point I was ready to settle down and raise a family in the US. I loved Paris. I tell people
that I was born in Montreal, but I really grew up in Paris. It was there that I started my adult life, and it will always
be my spiritual home, but I was ready for the next chapter in my life in another mesmerizing city: New York.
HOW TO PUBLISH A BOOK: How is living in New York similar or different
to living and working in Paris? Which do you like better?
Heather Mitchell: After I married (an American) I took some time off to be a full time Mom to my two young children. When I was ready
to go back to work a friend said to me "if you had a magic wand, what kind of job would you like to create for yourself?"
And it was that moment that I suddenly blurted out: A LITERARY AGENT! All those years on the tennis tour, I devoured as many
books as I could possibly fit in my bag (pre-Kindle days...I'm imaging how many more books I would have been able to read!)
and I followed the world of publishing in the business section the way a sports fan would leap to the Sports section. It was
my escape world when I needed a break from tennis.
So it was logical that when I was ready to start a second career, I would look to the world of books.
HOW TO PUBLISH A BOOK: How did the job at Gelfman Schneider come
about?
Heather
Mitchell: I loved books, and I loved being an agent;
I loved the representation of talent - being like a lioness when it comes to defending and protecting a client: their rights,
their image, their longevity. I enjoyed negotiating contracts, and I enjoyed the servicing of those contracts to make sure
everyone was just as happy at the end of the contractual period as they were at the beginning. So I thought, why couldn't
I marry my true love (literary) with my experience (agent)?
I needed to find an agency that would share my enthusiasm, and fortunately for me, it did not take
me long to find Jane Gelfman and Deborah Schneider - and the agency that they formed almost 30 years ago - and it was just
what I was looking for: a small but thriving agency, with a stellar reputation.
HOW TO PUBLISH A BOOK: Who are some of the authors you represent?
Heather Mitchell: My true love is fiction, but I realized very quickly when I started that
it might be a little easier to break into non-fiction given the increased demand from publishers and I have represented works
of narrative non-fiction and memoir, with a foray into thrillers, YA and historical fiction as just about every agent now
takes on clients from a variety of genres. Similar to my years in tennis, I take on few clients at a time, preferring to service
the contracts, from conception to birth. And just as I came into pro tennis when it was on the cusp of great change, so too
was the publishing world when I started. I remember first seeing a Kindle from our friends at Amazon before it was launched
to the public, and thinking - how long will it take to overtake hardcovers? Well not long, as we now know. I also remember
starting when self-publishing was considered a taboo, and now it has lost its stigma and is a viable option for some authors.
HOW TO PUBLISH A BOOK: What are you most eager to represent?
Heather Mitchell: I do believe that although the industry is changing rapidly and publishers
are becoming much more selective in what they acquire and publish, good books - whether in digital or physical form - will
continue to be in great demand, and I think even with a changing publishing landscape, authors would be wise to enlist an
agent that they trust and respect, to help them navigate the terrain over the long haul.
I am eager to take on more narrative non-fiction.
HOW TO PUBLISH A BOOK: How should prospective clients contact you?
Heather Mitchell: The best way to submit to any agent is to follow the guidelines on the agency's website.
_____
Stacey says: First, thanks so much to Heather for taking
the time to speak with us at How to Publish a Book. A couple of interesting points to highlight in this interview for our
readers.
- Notice
how selective Heather is in choosing her clients. She only represents a handful of writers at any one time (i.e., less than
10) and has a very clear focus of interest (i.e. narrative non-fiction). Make sure that if you're querying Heather that you've
got the kind of book she wants.
- Again, it's cool to see an industry professional pointing out how the stigma surrounding self-publishing has vanished
in recent years. Self-publishing is very much a proving ground for debut authors to show how well their books can sell, what
type of platform they have, and how well they can market their books.
- It's interesting, too, to highlight just how quickly eBooks have supplanted hardcover book
sales. One motif of the How to Publish a Book website is just how quickly the landscape of publishing can change and
consequently how nimble writers (and publishers) must be to adapt to such changes. At How to Publish a Book, we advocate
embracing new technologies, being open to change, and never fixing yourself too concretely to any one way of publishing and
marketing books. Truly, how to publish a book is constantly in flux as cultural and economic demands change.